Blog Archives

Dialing in Blues Fingerpicking Guitar Tone

I love a screaming guitar solo as much as anyone, but some of my favorite music to listen to is that greasy, slow, electric fingerpicking blues guitar. Lightning Hopkins, John Lee Hooker, and R.L. Burnside are some of my favorites in that style.

I’ve gotten several requests to cover the song “Hard Time Killing Floor Blues,” by Skip James. It’s a perfect slow blues song to perform as a solo 6-string arrangement, since it has such a killer vocal melody and baseline.

For this recording, I chose to pick on my vintage Harmony Monterey guitar. It’s got a clean and punchy acoustic tone, which I mic’ed with a WA-47 Tube mic from Warm Audio. I also plugged the guitar into a Fender Princeton Blackface (re-issue) with the vibrato intensity cranked to 11. The old Hershey bar pickup in the Harmony is in neck position, which also contributes to the warm, full-bodied electric tone. Watch the video above, for the complete details on the gear and settings I used.

If you want to check out more of my rig-rundowns, and get a behind-the-scenes look into my recordings and videos, Subscribe to my new channel “Live form the Guitar Loft” HERE. If you have song requests or gear questions, let me know in the comments there. That channel is devoted to answering questions and requests. 

Make sure you click the “FOLLOW” button to the right of this, to get more of my articles. …and of course, check out my music, downloads, lessons, and signature guitars at www.JustinJohnsonStore.com

Keep Rockin’,
Justin Johnson

Brand New Guitar Bundles to Save you Money and Get you Extras!

Justin Johnson has created a huge new inventory of awesome instructional material for 6-string guitar & more, so while we’re restocking the shelves with all of this awesomeness, we took the opportunity to create some killer new DISCOUNT BUNDLES to reward you with discounts & extras for showing your support!  The more you buy, the more you save & the more Freebies you get, so DIVE IN, see what’s new, fill out your wish list, & come get it! 

Get all 6 of Justin Johnson’s newly released Video Courses for 6-String Guitar on Either DVD or Digital Download & SAVE $20!
Get all 4 of Justin Johnson’s Current Double Albums on Either CD or Digital Download & SAVE $10!

Fingerpicking Tips To Save Years of Guitar Practice

I’ve been getting a lot of questions about the techniques I used to help develop my fingerpicking style over the years.  When I was just starting to learn guitar, and through each stage of development, I would often hit walls and feel like my progress was dragging along too slowly.  Each time I progressed past one of those frustrating plateaus, it was because I learned a new technique that helped guide me in the right direction.  In the following video lesson, I will share some of those plateau-busting techniques that allowed me to develop quicker and more freely.

As you work through the exercises in this video lesson, don’t forget that practice is key.  You will only be able to easily master these techniques through repetition.  Also, make sure you follow the tips on anchoring and hand position, as they will save you hours of frustration once you incorporate them into your playing style.

Keep Pickin’!
Justin Johnson

•Don’t forget to click the FOLLOW button on the right-hand column of this page to stay informed about my future lessons and articles•

Official Justin Johnson Music Store at: www.justinjohnsonlive.com/music.html
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Jack Daniel’s Whiskey Barrel Guitar: How It’s Made and What it Sounds Like

Some materials are just dying to be made into musical instruments, and ever since I first saw those whiskey-soaked oak barrels at the Jack Daniel’s Distillery in Lynchburg, Tennessee, I’ve always wondered what that wood would sound like if it could be plugged in and cranked up!  Luckily, I’m not alone, because master guitar builder and instructor, Derek Lenard (better know as Big D Guitars) did exactly that!  He took that old used barrel top, paired it with some reclaimed Tennessee barn wood, aged hardware, and some killer pickups.. and created a masterpiece!

Check out the videos below, where you see and hear this baby in action, then watch and listen as Big D walks you through every step of the build process.  Don’t forget to subscribe to Big D’s Youtube Channel to check out what he’s building next.

Thanks for keeping the Roots alive!  Click “FOLLOW” on the right-hand side of this page to stay up-to-date with new lessons and articles.

~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.justinjohnsonlive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

JACK DANIEL’S WHISKEY BARREL | SOLO SLIDE GUITAR SOLO

 

LIVE UNBOXING OF THE JACK DANIEL’S BARREL GUITAR

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 1

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 2

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 3

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 4

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 5

 

Over Two Continuous Hours of Cigar Box Guitar and Roots Music!

Of all possible ways to learn a musical instrument, I’ve found that the best method, by far, is to listen to (and watch) as much music as possible.  You can learn so much by watching how a player holds the instrument; the posture, the picking and anchoring techniques, etc…  So much can be gleaned by observing a musician as they are performing.

The best way to do this is in person, where you have a 3-dimensional view of the performance.  But we live in an age where the internet allows you to access a 2-dimensional live concert experience just about anytime and place you choose!  So sit back, relax, and learn from the music as it’s rolling by your screen… or just enjoy the show!

Thanks for keeping the Roots alive!  Click “FOLLOW” on the right-hand side of this page to stay up-to-date with new lessons and articles.
~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.JustinJohnsonLive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

Below is a playlist that will continue to play through  over 40 Roots Music perfomances by Justin Johnson.  If you would like to browse through the videos, click on the menu icon in the top left corner of the video screen.  

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The 12-String Guitar ~ The Heavy-Hitter of Acoustic Blues Instruments

Today, the 12-string guitar is often associated more with folk music and simple open-chord strumming than with intricate lead guitar, ragtime, or traditional blues.  But some of the most influential blues musicians of all time forged timeless classics wielding their 12-strings.  In the following video, I’ll demonstrate many of the classic Blues styles and techniques that have proven the 12-string to be the heavy-hitter of acoustic stringed instruments.

LIVE STREAM LESSON: Blues Pickin’ & Sliding on the 12-String Guitar 

Early Blues greats like Leadbelly and Blind Willie McTell played the 12-string guitar almost exclusively.  These artists took advantage of the full-bodied tone and assertive dynamic presence of the 12-String, to accompany their powerful and expressive singing voices.  Back in the early days of audio recording, it was difficult for microphones to pick up the intricate details of a 6-string acoustic, especially when it was competing with a full-volume Blues singer belting out a vocal melody.  The 12-string’s acoustic volume is almost double that of a 6-string, providing a much fatter bed for the vocals to lay over, in the mix. 

Blind Willie McTell “Travelin’ Blues”

 

Even Blues artists that are known for their 6-string electric guitar playing have been know to cut some of their most distinct tracks on solo acoustic 12-string.  Two great examples of this are Jimi Hendrix’s “Hear My Train A Coming” and Stevie Ray Vaughan’s “Life By The Drop.”  The intricate and sensitive single-note lead lines in these two tracks are fattened up by the doubled strings of the 12-string guitar.

Jimi Hendrix “Hear My Train A Coming”

Stevie Ray Vaughan MTV Unplugged

Stevie Ray Vaughan “Life By The Drop”

 

Thanks for keeping the Roots alive!  Click “FOLLOW” on the right-hand side of this page to stay up-to-date with new lessons and articles.
~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.JustinJohnsonLive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

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How To Play Any Song on the 3-String Guitar with One Finger

This lesson is an excerpt from Justin Johnson’s Instructional Video Series
“Roots Music According to Justin Johnson: 3-String Guitar”

The Full-Length Instructional Video Series comes complete with Guitar Tablature and is available as DVD or Digital Download at:
http://www.JustinJohnsonLive.com/store.html

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3-String or 4-String? How to Decide Which is Right for You!

3 string or 4 string guitar

When you are in the market for a Roots Instrument like a 3-string or 4-string guitar, one of the most common questions is, “Which one is right for me?”  I get this question on a daily basis, and it all depends on the goals, tastes, and experience level of the player.

Advice for Beginners:

If you are a total beginner, or planning on purchasing a 3- or 4-string guitar for a beginner, you really can’t go wrong.  Both 3-string and 4-string are much easier to learn than conventional 6-string guitar… mainly because less strings require less muscle strength in your hands and less multi-tasking.  Most 3-string and 4-string guitars are tuned to “open tunings,” meaning that the open strings are tuned to a chord, so it’s easy to play many chord changes with just one finger on your fretting hand, as opposed to learning and practicing complicated chords shapes on the 6-string for hours before playing your first song. 

The main difference between the 3-string and 4-string when it comes to beginners is that the 3-string is just plain easier than the 4-string.  The 3-string is really the perfect beginner instrument for anyone wanting to learn a stringed instrument, but wants to play music right away.  It’s simple, easy to pick up and play, and still teaches you all of the fundamental techniques such as fretting, building muscle memory, strumming, fingerpicking, and more.   It’s also perfect for children who have smaller hands with less muscle strength. 

If you know that you will want more complex harmonies, tuning options, and a larger range between your lowest and highest notes on the guitar, then the 4-string will be a slightly better and more versatile option, as long as you don’t mind the challenge of an extra string.  You can enjoy the best of both worlds by beginning with a 4-string, but only stringing it up with three strings at first..  once you get the hang of it, you can add the extra string and take your playing to the next level. 

Advice for Players with Some Experience:

If you are already playing a stringed instrument, the 4-string might be a better option.  It has more tuning options, a larger range, and can be tuned to mimic other stringed instruments like the ukulele, tenor guitar, mandolin, banjo, bouzouki, etc.   It’s also great for players who are already familiar with stringed instruments, but want to add the look, tone, and feel of a roots instrument to their palette.

If you are experienced, and just want a simple instrument that is easy to play, and will inspire you to “do more with less,” the 3-String is a perfectly simple, rugged & rocking’ roots instrument.  Just tune it up, crank it up, and have fun! 

Check out the Videos Below:

Below are two videos that will give introductions to the 3-string and 4-string guitar. 

Thanks for keeping the Roots alive, and don’t forget to click “FOLLOW” on the right-hand side of this page to stay up-to-date with new lessons and articles!

~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.JustinJohnsonLive.com/store.html SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

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This Video Features a Guitar by Algoma Acoustics: http://www.AlgomaAcoustics.com

This Video Features a Guitar by Algoma Acoustics: http://www.AlgomaAcoustics.com
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How to Play Mississippi Hill Country Blues: Break it Down, and Build it Back Up!

How To Play Hill Country Blues Banner
If “Delta Blues” is the soul of modern Blues music, then “Mississippi Hill Country Blues” is the beating heart.  This style of early Blues is was forged by pioneers like Mississippi Fred McDowell, R.L. Burnside, Junior Kimbrough, and more recently, bands like The North Mississippi Allstars.  Both Delta and Hill Country Blues refer to the region the styles originated from, and both are similar in their emphasis on rhythmic syncopation, use of both fretted and slide guitar, and gospel-like inflections.  Where they differ is that Mississippi Hill Country Blues generally has fewer chord changes than other Blues styles and puts more emphasis on conjuring a hypnotic repetition in the harmonic, rhythmic, and melodic aspects of the song.  These qualities combine to create a magnetic groove that pulls you in and keeps your foot stomping.

In relation to guitar, Hill Country Blues musicians often take advantage of Open Tunings (tuning the open strings of the guitar to a chord).  Then the thumb of the picking hand beats out a rhythm on the bass strings, while the melody (often doubling the vocal melody notes) is played on the high pitched strings.  A talented Hill Country Blues musician can mimic the sound of an entire band (bass, drums, rhythm guitar, and lead guitar) at the same time.

The key to mastering these techniques is to break the separate parts down individually, learning the rhythm first with your thumb, and then the melody with your remaining fingers.  Once the two separate parts can be played comfortably, the two parts must by brought together (sort of like band practice!).

The following video is an excerpt from my instructional DVD, “Roots Music According to Justin Johnson: Slide Technique for the 3-String Guitar.”  It includes an overview of how to approach this style, break it down into it’s parts, and add slide guitar and rhythmic inflections.  The techniques in this video apply just as much to 4-String and 6-String guitar players.
To learn this full lesson with TABS and similar lessons on 3-String Delta Blues Slide Guitar, Chord/Melody Slide Playing, Left & Right-Hand Slide Muting, and much more… check out out the full-length DVD, available at www.JustinJohnsonLive.com/store.html.

Thanks for Keepin’ the Roots Alive, and don’t forget to click the “FOLLOW” button on the right column of this page to stay up-to-date with my newest lessons!

~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.JustinJohnsonLive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

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Twelve-Bar Blues for the 3-String Guitar: Explanations, Chords Charts, Video, and More…

If you have ever heard of the term, “Twelve-bar Blues,” there is a good reason… it is not only the most popular chord progression in Blues music, but it is the most popular chord progression in popular music in general.  The term “twelve-bar” refers to the length of chord progression; it is 12 bars (or measures) long.

Simple Twelve-Bar Blues
While there are many variations to this simple concept, all of the variations stem from a simple, three-chord progression that is 12 measures long.  The three chords in this example in the key of G are: G, C, and D.  On the 3-String guitar in Open G tuning, the G is played simply by strumming all three strings in the open position, the C is played by barring all three strings at the 5th fret, and the D is played by barring all three strings at the 7th fret.

In this example, there are 4 beats per measure, and I’ve broken the 12 bars into 3 sets of four measures.  To hear a musical example of this progression, and play along, you can watch and refer to the accompanying video with this article.

Simple 12 bar Blues in G for 3 string cigar box Guitar

“Stormy Monday” Progression
While the simple, three chord progression above is the backbone of countless classic songs like “Crossroads,” “Johnny B. Goode,” and “Dust My Broom,” there eventually comes a time when you want to add a little more harmonic complexity to the twelve-bar progression.  To me, the best example of a more complex, and “Jazzy” arrangement of a twelve-bar Blues progression is the T-Bone Walker original, “Stormy Monday.”  You can look closely at the chord changes in this song, and see close similarities to the simple twelve-bar progression… in fact, other than the addition of the “7th” voicing for the chords, the first 6 measures are exactly the same.  The characteristic difference starts in measure 7, adding a very distinct and tasteful variation on the original chord progression.

Again, to hear musical examples of this progression on the 3-string guitar, just watch the accompanying video with this lesson.  Below the chord progression for “Stormy Monday,” is a collection of chord voicings that will work well together in the context of this arrangement.

Stormy Monday 12 bar Blues in G for 3 string cigar box Guitar

Once you learn the progressions on these charts, make sure you watch the accompanying video with this lesson.  It will dive deeper into how you can add more complex rhythms, fingerpicking techniques, and balking bass lines to make the “Stormy Monday,” progression come to life.  …and don’t stop there, look around RootsMusicSchool.org, and check out some of the other lessons, many of them are walkthroughs of other twelve-bar Blues songs like “Dust My Broom,” and a variation of the twelve-bar progression with “Hoochie Coochie Man.”

Please click “FOLLOW” on this blog if you want new lessons sent straight to your email inbox.
Keep Pickin’!
~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.JustinJohnsonLive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

 

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