Category Archives: hill country blues

Killer New Guitar Slide Designs!

Guitar Slides come in a multitude of different shapes, textures, materials, weights, and sizes… and all of those factors affect the sound, playability, and versatility of the slide.  Just like painters who use a combination of different brushes to create the details and textures of a painting, it’s important to learn about what distinguishes different guitar slides from one another, in order to make and informed decision next time you pick up the guitar.

I worked closely with Jim Dunlop to design and manufacture my Justin Johnson Signature Guitar Slide with an eye towards creating the best combination of tone, sustain, and feel that we could squeeze into one slide… but no single option beats having an arsenal of gear to choose from, so that you can select the perfect fit for each musical context.

I recently received several packages from around the world with some exciting, new, and innovative design concepts… along with some classic and re-imagined designs.  Check out the following LIVE STREAM video and hang out with me while we get to know these slides and what makes them special.

Keep Rockin’ the Roots!
Justin Johnson
•Official Online Music Store: www.JustinJohnsonLive.com/store.html
•Subscribe to my YouTube Channel for free video updates!

 

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“Slide Technique for 4-String Guitar” now available via digital download!

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Folks have been asking for months & it’s finally here!

Justin Johnson​’s “Slide Technique for 4-String Guitar” instruction is now available via Digital Download!  

One click & it’s yours, no shipping cost, no wait!

Now with Bonus lesson features, as well! Here’s the link:
www.justinjohnsonlive.com/slide-technique-for-4-string-guitar.html

Nothing sounds Bluesier than the mournful wail of the Slide Guitar, whether from the smokey sounds of early Chicago Blues, or the back-porch scratch of a Delta Bluesman.  This Instructional Video Series covers the tunings, techniques and trade secrets to Justin Johnson’s innovative Slide Guitar technique for the 4-String Guitar.

VIDEO CONTENTS:
Chapter 1
•Intro to Slide Guitar
•How To Hold the Slide
•Tunings for Slide Guitar
Chapter 2
•“Riff in the Style of Muddy Waters”
•4-String Tuning Pattern #1
•Slide Guitar Basics
•Blues Vibrato Technique
Chapter 3
•“Blues in the Style of Elmore James”
•4-String Tuning Pattern #2
•Blues Inflections
•Classic Blues Riffs

BONUS MATERIAL:
•Video Guide – Tunings for the 4-String Guitar
•Video Tutorial – “Dust My Broom” for 4-String and 3-String Guitar

Jack Daniel’s Whiskey Barrel Guitar: How It’s Made and What it Sounds Like

Some materials are just dying to be made into musical instruments, and ever since I first saw those whiskey-soaked oak barrels at the Jack Daniel’s Distillery in Lynchburg, Tennessee, I’ve always wondered what that wood would sound like if it could be plugged in and cranked up!  Luckily, I’m not alone, because master guitar builder and instructor, Derek Lenard (better know as Big D Guitars) did exactly that!  He took that old used barrel top, paired it with some reclaimed Tennessee barn wood, aged hardware, and some killer pickups.. and created a masterpiece!

Check out the videos below, where you see and hear this baby in action, then watch and listen as Big D walks you through every step of the build process.  Don’t forget to subscribe to Big D’s Youtube Channel to check out what he’s building next.

Thanks for keeping the Roots alive!  Click “FOLLOW” on the right-hand side of this page to stay up-to-date with new lessons and articles.

~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.justinjohnsonlive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

JACK DANIEL’S WHISKEY BARREL | SOLO SLIDE GUITAR SOLO

 

LIVE UNBOXING OF THE JACK DANIEL’S BARREL GUITAR

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 1

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 2

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 3

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 4

HOW TO BUILD A WHISKEY BARREL GUITAR: PART 5

 

Go-To Tunings for Blues Slide Guitar

The vocal timbre and mournful wail of the slide guitar has become inseparable from the concept of Blues Guitar.  However, in order to master the classic Blues guitar styles associated with the finger slide, you must first familiarize yourself with the different tunings that are key to those styles.  Below is a list of my favorite, and most used, tunings for Blues Slide Guitar.  With each tuning I’ve included a video, demonstrating how that tuning can be used to create a stylistic mood, which differs with each tuning.  Remember, the more tunings you become familiar with, the more versatile you will be as a musician.

OPEN D & OPEN E TUNING
Open E: (E-B-E-G#-B-E) – tuned to E major chord
Open D: (D-A-D-F#-A-D) – tuned to D major chord
These two tunings are basically the same tuning… the only difference is that Open D is tuned one whole step lower than Open E.  The tighter string tension of Open E makes it easier to play with low action, but the lower pitch of Open D produces more low-end body, and can give you a swampier vibe.  That swampy vibe is all over this following video clip, which is is Open D tuning…

 

OPEN G & OPEN A TUNING
Open G: (D-G-D-G-B-D) – tuned to  G major chord
Open A: (E-A-E-A-C#-E) – tuned to A major chord
These two tunings are also, in essence, the same tuning.  The difference is that Open G is tuned a whole step lower than Open A.  Delta blues guitarists like Robert Johnson made this tuning style famous.  The sound of this tuning is great for solo guitar Blues playing, and allows the player to construct elaborate bass lines, since the root note is on the 5th string, as opposed to the 6th (bass) string, thereby allowing the player two bass strings for the thumb to play bass lines and 4 strings for the fingers to pluck melody notes.
Listen to how the bass lines play an important role in this following video, which is in Open G tuning…

 

STANDARD TUNING
Standard Tuning: (E-A-D-G-B-E) – not tuned to a chord
Standard Tuning is the most widely-used and standardized tuning for conventional 6-string guitar playing.  It’s great for fretted (non-slide) playing because it makes many chord shapes and scale patterns comfortable for the fingers to reach.  While it presents certain challenges for slide guitarists, Standard Tuning is actually a very versatile tuning for slide playing, offering many convenient chord fragments, both major and minor, up and down the fretboard.  The key to understanding how to play slide guitar in Standard Tuning comes with learning how to mute the unnecessary  strings, to prevent them from sounding.  I have created an entire instructional DVD for playing in Standard Tuning, which you can check out.. just CLICK HERE for more info.  The following video is an example of slide guitar in Standard Tuning…

 

OPEN Dm & Em TUNING
Open Dm (D-A-D-F-A-D) – tuned to D minor chord
Open Em (E-B-E-G-B-E) – tuned to E minor chord
While these tunings are not very well-known historically, they are some of my personal favorite, and most-used, slide guitar tunings.  They are particularly great for playing in minor keys, but also work very well for Blues styles, even if the underlying harmonies are major.  Again, these two tunings are essentially the same tuning, but Open Em is tuned one whole step higher than Open Dm.  The following video shows how this tuning can be used in both fretted and slide styles.  The acoustic rhythm guitar is tuned to Open Dm, and the 6-string lap steel is also tuned to Open Dm…


Thanks for keeping the Roots alive!  Click “FOLLOW” on the right-hand side of this page to stay up-to-date with new lessons and articles.

~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.JustinJohnsonLive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

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Over Two Continuous Hours of Cigar Box Guitar and Roots Music!

Of all possible ways to learn a musical instrument, I’ve found that the best method, by far, is to listen to (and watch) as much music as possible.  You can learn so much by watching how a player holds the instrument; the posture, the picking and anchoring techniques, etc…  So much can be gleaned by observing a musician as they are performing.

The best way to do this is in person, where you have a 3-dimensional view of the performance.  But we live in an age where the internet allows you to access a 2-dimensional live concert experience just about anytime and place you choose!  So sit back, relax, and learn from the music as it’s rolling by your screen… or just enjoy the show!

Thanks for keeping the Roots alive!  Click “FOLLOW” on the right-hand side of this page to stay up-to-date with new lessons and articles.
~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.JustinJohnsonLive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

Below is a playlist that will continue to play through  over 40 Roots Music perfomances by Justin Johnson.  If you would like to browse through the videos, click on the menu icon in the top left corner of the video screen.  

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The 12-String Guitar ~ The Heavy-Hitter of Acoustic Blues Instruments

Today, the 12-string guitar is often associated more with folk music and simple open-chord strumming than with intricate lead guitar, ragtime, or traditional blues.  But some of the most influential blues musicians of all time forged timeless classics wielding their 12-strings.  In the following video, I’ll demonstrate many of the classic Blues styles and techniques that have proven the 12-string to be the heavy-hitter of acoustic stringed instruments.

LIVE STREAM LESSON: Blues Pickin’ & Sliding on the 12-String Guitar 

Early Blues greats like Leadbelly and Blind Willie McTell played the 12-string guitar almost exclusively.  These artists took advantage of the full-bodied tone and assertive dynamic presence of the 12-String, to accompany their powerful and expressive singing voices.  Back in the early days of audio recording, it was difficult for microphones to pick up the intricate details of a 6-string acoustic, especially when it was competing with a full-volume Blues singer belting out a vocal melody.  The 12-string’s acoustic volume is almost double that of a 6-string, providing a much fatter bed for the vocals to lay over, in the mix. 

Blind Willie McTell “Travelin’ Blues”

 

Even Blues artists that are known for their 6-string electric guitar playing have been know to cut some of their most distinct tracks on solo acoustic 12-string.  Two great examples of this are Jimi Hendrix’s “Hear My Train A Coming” and Stevie Ray Vaughan’s “Life By The Drop.”  The intricate and sensitive single-note lead lines in these two tracks are fattened up by the doubled strings of the 12-string guitar.

Jimi Hendrix “Hear My Train A Coming”

Stevie Ray Vaughan MTV Unplugged

Stevie Ray Vaughan “Life By The Drop”

 

Thanks for keeping the Roots alive!  Click “FOLLOW” on the right-hand side of this page to stay up-to-date with new lessons and articles.
~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.JustinJohnsonLive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

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How to Play Mississippi Hill Country Blues: Break it Down, and Build it Back Up!

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If “Delta Blues” is the soul of modern Blues music, then “Mississippi Hill Country Blues” is the beating heart.  This style of early Blues is was forged by pioneers like Mississippi Fred McDowell, R.L. Burnside, Junior Kimbrough, and more recently, bands like The North Mississippi Allstars.  Both Delta and Hill Country Blues refer to the region the styles originated from, and both are similar in their emphasis on rhythmic syncopation, use of both fretted and slide guitar, and gospel-like inflections.  Where they differ is that Mississippi Hill Country Blues generally has fewer chord changes than other Blues styles and puts more emphasis on conjuring a hypnotic repetition in the harmonic, rhythmic, and melodic aspects of the song.  These qualities combine to create a magnetic groove that pulls you in and keeps your foot stomping.

In relation to guitar, Hill Country Blues musicians often take advantage of Open Tunings (tuning the open strings of the guitar to a chord).  Then the thumb of the picking hand beats out a rhythm on the bass strings, while the melody (often doubling the vocal melody notes) is played on the high pitched strings.  A talented Hill Country Blues musician can mimic the sound of an entire band (bass, drums, rhythm guitar, and lead guitar) at the same time.

The key to mastering these techniques is to break the separate parts down individually, learning the rhythm first with your thumb, and then the melody with your remaining fingers.  Once the two separate parts can be played comfortably, the two parts must by brought together (sort of like band practice!).

The following video is an excerpt from my instructional DVD, “Roots Music According to Justin Johnson: Slide Technique for the 3-String Guitar.”  It includes an overview of how to approach this style, break it down into it’s parts, and add slide guitar and rhythmic inflections.  The techniques in this video apply just as much to 4-String and 6-String guitar players.
To learn this full lesson with TABS and similar lessons on 3-String Delta Blues Slide Guitar, Chord/Melody Slide Playing, Left & Right-Hand Slide Muting, and much more… check out out the full-length DVD, available at www.JustinJohnsonLive.com/store.html.

Thanks for Keepin’ the Roots Alive, and don’t forget to click the “FOLLOW” button on the right column of this page to stay up-to-date with my newest lessons!

~Justin Johnson
VISIT STORE for CDs, DVDs, Books, & More!: www.JustinJohnsonLive.com/store.html
SUBSCRIBE TO MY YOUTUBE CHANNEL: www.YouTube.com/justinjohnsonlive

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